My interest in
photography stems from encounters – the encounters I create and record through
the lens. Encounters with new places, new people and - increasingly - a new
political reality.
The images in ‘Jump’
reflect these encounters through a global journey where identifiable
geographical signifiers are consciously and deliberately elided so the viewer
never knows if they are in Brooklyn, Bahrain or Burkina Faso. Encounters en
route also form the core of ‘Heroes’ where I set up as a traveling photographer
throughout the city of Roskilde. The resulting 1,000 Polaroid portraits
personally signed by each person I met form a mosaic mural of the everyday
heroes who crossed my path.
The role of
itinerant photographer was exchanged for that of explorer in ‘Natives: The
Danes,’ marking the move from my own personal photographic encounter to an ever
increasing awareness of the role of photography as a historically and
politically charged medium. It is this power of the image that my more
recent projects ‘No Airport to Travel From’, ‘Natives: The Danes’ and ‘Who’s
Next?’ They all address the role of the photography in framing and creating
prejudices and minorities, and as an instrument of control in categorizing,
recording and archiving ‘the other.’
My current artistic
practice is focused on the use of photography itself to address these
mechanisms and processes: to challenge the basis of historical and contemporary
photographic ‘evidence’ and interrogate representational forms. From the
colonial images of ‘natives’ photographed from in front and behind on
expeditions throughout contemporary Denmark, to mugshots of homosexuals shot in
a police station basement in ‘Who’s next?’
‘Who’s next?’ is
the title of my latest project. Because as the need for ‘the other’ –
religious, sexual, national, political - rises in a global climate of
increasing fear, I realize a growing personal need to question the role of my
own medium in generating exclusion and stigmatization.